Figure II: Aerial Imagery of the Lal Pahari Monastery in Lakhisarai, Bihar (Source: Google Earth)
Case Studies:
The site of the Lalpahari monastic complex is situated atop the Lalpahari hills (Lal Parvat) in the Lakhisarai District of southern Bihar. Archaeological excavations commenced here in 2017, following chance discovery in 2016 (Kumar, 2018). Based on inscriptions on two burnt clay seals in the Nagri script, found during excavations, the name of the monastery was discerned as “Srimaddharma Vihara” (Beg, 2021). Based on this evidence, the complex can be discerned to have been a Buddhist vihara or monastery. Typologically speaking, “viharas” were monastic complexes accommodating living cells for the inmates of the complex, and a central shrine area for meditation and worship (Elahi, 2018).
Structurally, the Lalpahari vihara site is considered to have undergone at least four phases of construction activity, the latest of which pertained to the 11th-12th centuries CE (Kumar et al., 2019). The basic architectural plan, as revealed through horizontal excavations, indicated the presence of a central courtyard surrounded by a pillared corridor, followed by rows of cells on all the sides. The outer walls of the complex consisted of bastions, of a diameter of 3.75 metres. These were strategically situated in the corners and the midpoints of the four sides (Kumar et al., 2019). An entranceway from the eastern rampart led to the central courtyard (Kumar, 2018). The cell-floors showed signs of extensive usage of pigments for plastering. Besides, a black-stone gargoyle, connected through a network of drains, was constructed as an outlet channel for waste-water from the entire complex (Kumar and Saha, 2020). The main sanctum area was created on a slightly elevated platform, measuring 7.5 by 7.5 metres, at the north-western part of the complex (Kumar et al., 2019).
Monasteries showing the presence of a fortified and walled settlement, replete with bastions and high walls, show parallels at the Nalanda mahavihara and Vikramashila mahavihara in present-day Bihar, and the Paharpur mahavihara in present-day Bangladesh (Elahi, 2018).
Based on the findings of a large number of stone sculptures as well as terracotta plaques pertaining to the Buddha as well as other deities of the Mahayana Buddhism, such as Avalokiteshvara and Jambhala, the religious affiliations of the vihara were determined as pertaining to Mahayana Buddhism (Kumar et al., 2019). Stylistically, the iconographic features of these sculptures were compared with finds from other places in eastern India, and attributed to the Pala School of Art (Picron, 2019).
Additionally, some of these terracotta plaques, stone images as well as clay sealings from the Lalpahari site were found containing inscriptions, in the Nagri and Siddhamatrika scripts (Kumar and Saha, 2020). These inscriptions expressed piety and devotion to the Buddha, and further indicated active religious activity at the site till at least the 12th century CE (Kumar and Saha, 2020). One of these inscriptions, found on a stone sculpture of bodhisattva Avalokiteshvara, recorded donations made by a certain Mallika Devi, probably a queen, to another lady of the monastery named Vijayshree Bhadra, considered to be the chief nun of the vihara (Beg, 2021). Thus, the monastic institution of Lalpahari was certainly receiving donations and patronage from individuals of the royal family, although the exact dynastic affiliations of such donors are not yet clearly known. Monasteries and monks as recipients of royal donations was a common feature of the contemporary eastern Indian subcontinent, with several examples existing about donors from the Pala ruling classes and their subordinates (Datta, 2019). The Srimaddharma vihara was no exception to that norm.