Media Mutations: atti di convegno

Unlocking Television Archives in the Digital Era

Media Mutations Publishing

a cura di Luca Barra, Susanne Eichner, Matteo Marinello, Emiliano Rossi and Anne-Katrin Weber

Il volume completo è disponibile ad accesso libero a questo link 

Unlocking Television Archives in the Digital Era is the proceedings volume of the 16th Media Mutations Conference, held at the University of Bologna (26–27 May 2025). The collection addresses the complex negotiations between technology and memory that characterize archive use in an age of multi-channel distribution and digital platforms. Contributors examine how digitisation, recovery, access, and sharing have reshaped the relationship between media institutions and their audiovisual heritage, while also raising urgent questions about fair use, sustainability, and the distribution of archival resources across public broadcasters, commercial networks, and local channels. Developed in dialogue with the research project ATLas – Atlante delle Televisioni Locali, the volume pays attention to lesser-known archival experiences and adopts a transnational perspective that moves beyond Eurocentric frameworks. Topics range from local Italian broadcasting history and AI-driven recontextualization of archival content, to decolonial approaches to audiovisual heritage, pirate care and shadow libraries, true crime television, and the role of archives in strengthening public broadcasters' streaming strategies. 

Indice

Luca Barra, Susanne Eichner, Matteo Marinello, Emiliano Rossi, Anne-Katrin Weber

Making Sense (and Value) of Television Archives

 

Kit Hughes

What to Do about Taste-less Transmissions? Useful Television Histories

 

Ethan Thompson

A Tale of Two Archives. National Ideal vs. Local Reality

 

Riccardo Fassone, Paola Zeni

"Hello, is the Mayor Here?" Local Politics in Turin Private Broadcasting. The Case of Videogruppo Piemonte

 

Emiliano Rossi

Chronicle of a Momentaneous Success. Entertainment and Consumer Goods in Antenna 3’s Early Stage (1977-82)

 

Giulia Crisanti, Damiano Garofalo

Pannella & Pallone. TeleRoma56’s Glocal Broadcasting between Politics and Entertainment

 

Matteo Marinello

Bringing the Nation to the "Provincia". Promotional Strategies and Entertainment on TeleSanterno

 

Myriam Mereu

Mapping the Legacy of Audiovisual Archives. The Sardinian Case

 

Bas Agterberg, Dana Mustata

Collaborative Practices and Fair Research Uses of Television Archives

 

Matteo Treleani

Redundances and Stereotypes. Does the Archival Reuse Reinforce the Lack of Diversity?

 

Andres Kõnno

Creating New Metadata Layers for National Memory Institutions. A Comparative Study of Estonian Public Broadcasting and Baltic Film, Media and Arts School Archives

 

Roberto Balestri

AI Blob! LLM-Driven Recontextualization of Italian Television Archives

 

Brecht Declercq

Neck-Deep in Digital Oil? Public Broadcasters’ Archives as AI Training Datasets

 

Jacopo Rasmi

Folk-archiving Minor Audiovisual Contents. Television Programs, Pirate Care and Shadow Libraries

 

Daniela Cardini

Archiving Television and Celebrating Legacy. Mike Bongiorno’s Centenary Exhibition and TV Miniseries

 

Tamara Antona Jimeno, Ignacio Nevado

From Memory to Streaming. The Role of Historical Archives in Strengthening Public Television’s OTT in Spain

 

Gregory Pritsas

Decolonising the Archive. Rethinking Audiovisual Heritage in the ERT Collection

 

Alessia Francesca Casiraghi, Diletta Cenni

True Crime and Television Archives. Mediation, Re-Enactment, and Self-Reflexivity in Post-2010 True Crime TV Series

 

Nicolò Villani

An Archive Utopia. Attempts and illusions of the Studio Portals Catalogues

 

Ann Hardy

Preserving Regional Television History. The NBN Television Archive Project

 

Hanna Šein-Meier

The Evolution of Discourse on the Purposes of the Television Archives of Estonian Public Broadcasting

 

Vito Saracino

The Original Exception of TeleCapodistria. An Italian TV Station in Yesterday’s Yugoslavia and Today’s Slovenia

 

Michelangelo Cardinaletti

Telling the Territory through the Archive. For a Recovery of the Documentary Production of Rai Puglia

 

Marco Manfra, Grazia Quercia

Design, Television, and Cultural Memory. The Open University’s A305 Course as a Case of Media Archaeology in Education

 

Nicole Atkinson

Reconstructing Histories. Mapping Artists’ Film and Video on Channel 4 through Archival Ruination (1982-1992)

 

Nanako Ota

Are They Radio or Television Programs? A Case Study from Japan on the Audiovisual Representations of NHK Archives