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Books

Silvia Ferrara ci guida alla scoperta delle scritture inventate dal nulla e di quelle rimaste indecifrate fino a oggi, non solo tra i segreti della storia, ma anche nei meandri della nostra mente. Cina, Egitto, Messico, Mesopotamia, Cipro e Creta.

La Grande Invenzione, Feltrinelli

 

On October 31st, La grande invenzioneStoria del mondo in nove scritture misteriose, published by Feltrinelli, is out. It is written by Silvia Ferrara, the Principal Investigator of INSCRIBE.


“This book tells of an invention still clouded in mystery: writing. It is nowadays certain that writing was conceived from zero more than once in history. But how did this take place? What made it possible? And why? To help us shed light on this mystery, Silvia Ferrara guides us through the original inventions of scripts and those that still remain undeciphered, a journey through the secrets of history but also through the meanders of our mind. China, Egypt, Mexico, Mesopotamia, Cyprus and Crete. The enigmas of the islands and the heavy controls of cities and empires. The experiments with writing and the solitary inventions, the still unreadable writing systems of Easter Island and the Indus Valley, the Voynich manuscript, the obscure khipu of the Inca, the Phaistos Disk, and many others. This book is a tour de force through our unbound capacity to create stories and symbols, full of sibylline inscriptions and sparks of genius from the past, the endeavours of today’s scientific research, and the vague, unpredictable echoes of writing a hundred years from now. “Writing is the greatest invention in the world. This book is about our urge to endure.” From the dawn of civilisation to our days, a journey back to the birth of writing and into the mysteries of undeciphered signs. A journey that is not over yet.”

La Grande Invenzione will be translated and published in the USA (Farrar, Straus and Giroux), UK (Picador), Germany (Beck), France (Seuil), Spain (Anagrama), Greece (Patakis) and China (Chonquing).

Contare a Haghia Triada

 

INSCRIBE is proud to announce that our researcher Barbara Montecchi has made progress towards a better understanding of Linear A with her latest monograph: Contare a Haghia Triada. Le tavolette in lineare A, i documenti sigillati e il sistema economico-amministrativo nel TM IB.

This volume was published with the support of the Institute for Aegean Prehistory (INSTAP) of Philadelphia and contains the first corpus study of the Linear A archival documents from Haghia Triada, Crete. Its 147 clay tablets and more than 1000 cretulae, found at the beginning of the last century and dated approximately to the 15th century BCE, make up the largest archive so far from the Neopalatial period. They are the indispensable starting point for any attempt at understanding Minoan economy.

 

Paths into Script Formation in the Ancient Mediterranean

 

Our latest book, Paths into Script Formation in the Ancient Mediterranean, published as the first ever Supplement of SMEA NS (Studi Micenei ed Egeo Anatolici Nuova Serie), is out now! 

Here is how it starts:

All beginnings are arbitrary, often mysterious, at times accidental. For archaeologists, historians, and epigraphists, it is difficult, if not impossible, to know exactly when a point in a process becomes the beginning of something. Nowhere is this more acutely felt that in the inception of writing. We cannot, no matter how much data at our disposal, stare at the first written sign, at the first inscribed text, at the first painted word. We are at the mercy of whatever remains for posterity, left to handle physical vestiges selected at random by what one of our authors has described the “chronophage”. Time has slowly eroded the opportunity to reconstruct the tangible inception of writing.

This is where paths become important. At what point does the intention to create something declare itself, if the beginning is arbitrary? At what point does the accident become a prospect? At what moment is opportunity seized and longevity ensured? And who is responsible for such trajectories? The questions that underpin the many paths and creations of writing, the quest for pre-conditions that enable such creations, the contexts that determine birth and transmission, efficiency and permanence are the scope of this book.

Within this framework, the volume aims to throw light on the two different faces of the creation of writing – invention and adaptation – and on the multidimensional nature of such processes. These concepts are not simple, as they interface with other realms surrounding writing, such as the social and cultural contexts of local groups, their intentions in putting writing to use, the selections of sign shapes for a newly invented or newly adapted script, and its relation to iconography and language. All this brings to light different perceptions of what writing may signify for a group of individuals, the different ideological uses (and re-uses) of signs or symbols, and the claims to social differentiations underlying script creations or adaptations.

 

TABLE OF CONTENTS

Anna Lucia D’Agata, Preface

Silvia Ferrara, Miguel Valério, Introduction

Image-Bound Scripts at the Inception of Writing
1. Roeland P.-J.E. Decorte, The Origins of Bronze Age Aegean Writing: Linear A, Cretan Hieroglyphic and a New Proposed Pathway of Script Formation
2. Mark Weeden, Hieroglyphic Writing on Old Hittite Seals and Sealings? Towards a Material Basis for Further Research

Adaptations: Between Pictorialism and Schematism
3. Juan Pablo Vita, José Ángel Zamora, The Byblos Script
4. Miguel Valério, Cypro-Minoan: An Aegean-derived Syllabary on Cyprus (and Elsewhere)
5. Javier de Hoz, The Southwestern Palaeo-Hispanic Script: State of Knowledge, Hypotheses and Controversies
6. Ignasi-Xavier Adiego, Local Adaptations of the Alphabet among the Non-Greek Peoples of Anatolia
7. Alex de Voogt, The Meroitic Writing System: Change and Variation

Patterns and Diversity: A World of Possibilities
8. Gordon Whittaker, Aztec Hieroglyphic Writing: A Comparative Perspective
9. Piers Kelly, The Invention, Transmission and Evolution of Writing: Insights from the New Scripts of West Africa