1923-2023. Fernando Távora at 100
eds. José António Bandeirinha, Antonio Esposito, Giovanni Leoni, with Giovanni Bellucci
Histories of Postwar Architecture, No. 11 (2022):
DOI: https://doi.org/10.6092/issn.2611-0075/v5-n11-2022
José António Bandeirinha, Antonio Esposito, Giovanni Leoni, with Giovanni Bellucci, The Continuous Construction of Memories/Contínua construção de Memórias de Amanhã, pp. 6-9
David Ordóñez-Castañón, Teresa Cunha Ferreira, Designing with History: Intervention in Preexisting Buildings by Fernando Távora at the Dawn of the Third Way (1945-1962), pp. 102-131
Rui Aristides Lebre, Portuguese Moderns: the Ramalde Neighborhood by Fernando Távora 1950, pp. 160-175
Fernanda Vierno de Moura, Fernando Távora and the Concept for a New Civic Centre for Aveiro: Urban Project, Modernity and the Enhancement of the Urban Landscape, pp. 176-215
Manuel Mendes, Manuel Mendes Interviews Fernando Távora. Edifícios (1988), pp. 12-39
Francisco Barata Fernandes, Outmoded Lesson, pp. 52-55
Pedro Pacheco, Ink on the Table..., pp. 56-59
Madalena Pinto da Silva, Fernando Távora: the Meaning of Time and the Reason of Things, pp. 60-67
Daniele Vitale, Távora, the Days. Távora, i giorni, pp. 68-87
Jorge Figueira, Profession: Távora, pp. 88-95
Giovanni Bellucci, Notes on the “Terceira Via” in Portugal and Sweden. A Comparison between Fernando Távora and Sven Backström & Leif Reinius, pp. 138-149
Gregorio Carboni Maestri, Fernando Távora: The Struggle from Português Suave to the Shifting Aesthetics of Resistance from 1923 to 1953. Ideology, Architectures, Periodicals, and the Role of Italy and CIAM from the First Salazar era to the Birth of the Third Way, pp. 216-255
Helder Casal Ribeiro, In the Interior of Time. Constants and Contrasts, pp. 262-273
Andrea Fanfoni, Avenida da Ponte: Knowledge of the City as a Tool for the Design of an Unresolved Place, pp. 278-299
Antonio Esposito, Fernando Távora’s Passion for the Antique, pp. 300-313
Antonio Telesforo, The “Third Way”: Távora’s Method in Masterwork. The Reconstruction of Porto’s old Municipal Tower, Known as ‘Casa dos 24’, pp. 314-363
José António Bandeirinha, A Project with Many Dates. Fernando Távora, Santa Cruz and Sansão Square in Coimbra, pp. 368-383
Carlotta Torricelli, The Pedagogical Value of the Organisation of Space. Founding Role and Continuity of Fernando Távora’s Thinking, pp. 384-405
Giorgio Liverani, Understanding Organised Space, pp. 450-485
Ana Tostões, The Search for Eternity and the Polyphony Prodigy in Távora, pp. 494-501
Giovanni Leoni, Fernando Távora and the Journey into the Constants as the Foundation of the Project (1950-1960), pp. 502-593
Raffaella Maddaluno, A Travel in Fernando Távora’s Travels. (With Álvaro Siza, Alexandre Alves Costa, Fernando Barroso, Sérgio Fernandez, Alcino Soutinho, Manuel Mendes, José António Bandeirinha, Jorge Figueira, Francisco Barata, Eduardo Souto de Moura, 2013-2022), pp. 594-635
Paula Abrunhosa, Dialogues with Memory and Time: A Contribution by the Marques da Silva Foundation for the Promotion of Fernando Távora’s Archive, pp. 636-649
Ana Freitas, The Travel Drawings of Fernando Távora: a few Brief Notes on their Exhibition and Conservation, pp. 650-659
Alexandre Alves Costa, A Statement without Rhetoric About the Architect Fernando Távora/Depoimento sem retórica sobre o Arquiteto Fernando Távora, pp. 40-51
Fernando Távora, O problema da casa portuguesa, pp. 96-101
Alfredo Viana de Lima, Fernando Távora, Between Sigtuna (1952) and Royaumont (1962), pp. 132-137
Giovanni Bellucci, Ramalde Housing Estates, pp. 150-153
Giovanni Bellucci, Renovation of Aveiro City Centre, pp. 154-159
Giovanni Bellucci, Pousada Santa Marinha da Costa, pp. 256-261
Giovanni Bellucci, Renovation of the Former Council Building – Casa dos Vinte e Quatro, pp. 274-277
Giovanni Bellucci, Arrangement of 8 de Maio Square, pp. 364-367
Fernando Távora, Architecture and Urbanism. The Lesson of Constants, pp. 406-409
Fernando Távora, Le Corbusier, Bruno Zevi, Lúcio Costa, pp. 410-423
Giovanni Bellucci, House on the Sea, pp. 424-425
Giovanni Bellucci, City Market, pp. 426-429
Giovanni Bellucci, City Park of the Quinta da Conceição e de Santiago, pp. 430-436
Giovanni Bellucci, Tennis Pavilion in the “Quinta da Conceição” City Park, pp. 438-441
Giovanni Bellucci, Holiday Home in Ofir, pp. 442-445
Giovanni Bellucci, Aula Magna - Faculty of Law, pp. 446-449
Álvaro Siza, A Dialogue On-Site with Álvaro Siza, pp. 486-493
Roberto Collovà, Architecture of Photography, pp. 660-669
Alessandra Chemollo, The Concept Fragment, pp. 670-679
Ivana Barbarito, The Photographer Never Turns a Blind Eye, pp. 680-685
Sebastiano Raimondo, A Look at Fernando Távora’s Quinta da Conceição, pp. 686-693