Abstract
The increasing attention of the Italian press to the subject of femicide sees on the one hand new agenda criteria for journalists who responsibly acknowledge the value of news to facts that often in the past were considered of lower public interest. On the other hand, the methods of narration and representation of these events could require as much social responsibility and innovative journalistic narrative skills (Tuchman, 1978). When a woman is killed at the hands of her partner, the episode is not limited to one of the many crime events, but she can more than others contribute to using specific imaginaries of the different roles that men and women play within the social world. For journalists, the cases of femicide therefore constitute an insidious topic because they require interpretative tools that are not immediately present in professional routines or in easy explanatory common sense resources, except to repropose obsolete stereotypes. To contribute to the reflection on the social implications of the journalistic discourse related to the changes of gender roles, this contribution proposes a re-reading of a previous analysis of 166 articles published in 2012 by 3 Italian newspapers in relation to cases of killings of women at the hands of the partner ( Gius and Lalli 2014). The framing strategies used bring out the hypothesis of romantic love as a narrative background canvas that would serve to "explain" the trauma of ordinary lives, except in cases where other variables exogenous to the gender issue can be mobilized to understand the reasons of brutal gestures (such as, for example, different religion, situations of deprivation or social distress). It should be noted, therefore, as a tendency to persist in the Italian press as in the international one, a widespread appeal to implicit models that take for granted a sort of normalization of the sense of male possession in man-woman relations (Chung 2005; Mokton Smith 2012; Singh 2013; Wood 2001). Now, rather than offering simple criticisms or indications, we question the need for phenomenological research paths that help, on the one hand, to make explicit the tacit rules that inspire the neutral appearance of the journalistic report and, on the other, to contribute to the construction of a common ground of socially responsible journalism, open to the exploration of innovative paths.