Courses

2022 COURSES AND ACTIVITIES

Lectures and seminars

(a detailed schedule is available as a downloadable document)

• Institutional Greetings
  Giacomo Manzoli (Università di Bologna)

• Course Presentation. How to Study the Mediated Italy
  Luca Barra (Università di Bologna)

• Mediating Cinema: The Intellectual Network of Italian Film Criticism
  Jennifer Malvezzi (Università di Parma), Paolo Noto (Università di Bologna)

• Cinema Ritrovato, a Festival Devoted to Researching Film History
  Guy Borlée (Cinema Ritrovato Coordinator)

• Multilingualism, Language Conflict and Urban Space in the Cinematic Contemporary Italy
  Marco Gargiulo (University of Bergen)
• Writing the Sound of Beauty. The Making of the Eurovision Song Contest 2022 in Turin: conversation with Eddy Anselmi (TV author)

• Italian Na(rra)tives: Period Drama in a Transnational and Transmedia Perspective
  Beniamino Della Gala (Università degli Studi di Milano), Elisa Farinacci (Università di Bologna)

• Doc (Nelle tue mani), da Rai 1 (Italia) a TF1 (Francia): il successo internazionale di un medical drama all’italiana
  Fabien Landron (Université de Corse)

• Glocal Dimensions of German Quality Drama
  Florian Krauß (University of Siegen)

• Posted, Unposted, and Live-Streaming: Chiara Ferragni as a Celebrity Media Construct and a Postfeminist Project
  Nicoletta Marini-Maio (Dickinson College)

• A Look at Contemporary Neapolitan Cinema and Television
  Giovanna De Luca (College of Charleston)

• Studying Italian Contemporary Actors
  Luca Antoniazzi, Luca Barra (Università di Bologna)
• E la chiamano estate. Dietro le quinte di Summertime: dialogue with the artistic cast, producers, and other professionals involved in Summertime (Netflix, 2020-2022)

• Italian Actors (and Non-Actors) and Their International Circulation
  Catherine O’Rawe (University of Bristol)

• Belzoni’s Real Phantasmagoria: from “Perfect Facsimile” to “First Person Experience”
  Massimo Riva (Brown University)