Loredana Chines, Paola Italia, «Rigore e audacia» di un maestro. Francisco Rico a Bologna, p. 9
Barbara Bordalejo, A humble account and little homa ge for Paco, p. 24
Essays. Italian philology and digital culture. Edited by Igor Candido.
Igor Candido, Rethinking Italian Philology: Textual Cri ticism and Digital Practice, p. 27
Nadia Cannata, Memory and loss: digital tools and the writing of history. A few considerations, p. 37
Attilio Cicchella, Browsing through the search engines and digital archives of Accademia della Crusca: chapters of the history of indirect tradition, p. 51
Gaia Tomazzoli, Digital resources for Dante studies: a critical survey, p. 77
Igor Candido, Notes Serving the Critical Edition of Pe trarch’s De vita solitaria, p. 113
Isabella Magni, From Codex to <Code>: Digital Perspecti ves in the Study of the Materiality of Medieval Texts, p. 159
Wayne Storey, The Bifolium, the Fascicle, Petrach’s «Rerum Vulgarium Fragmenta» and the «Petrarchive»’s Fascicler, p. 187
Brendan O’Connell, The Afterlives of Adam Scriveyn: Chaucer’s Scribe in Dantes’s Inferno, p. 231
Meeting. Authorial annotations. Types and editorial criteria
Maurizio Fiorilla, On Boccaccio’s marginalia: glossing procedures and ecdotic issues (with a proposal for the Decameron), p. 247
Erminia Ardissino,Tasso’s annotations to Plotinus: types and structure, p. 269
Christian Del Vento, For a taxonomy of authorial annotations: the case of Alfieri, p. 299
Paolo D’Iorio, The edition of Nietzsche’s library and readings, p. 336
Issues
Beatrice Nava, Editions as a System? The Editorial Journey of I Pro messi Sposi from Isella’s Project to the Digital Horizon, p. 363
Reviews
Elena Gatti, Francesco Zambrini tra filologia e bibliografia (A. Antonelli), p. 383 • Robert Darnton, Editori e pirati (F. Formigari), p. 387 • Maria Gioia Tavoni, «Libri all’antica». Le Edizioni dell’Elefante nel panorama dell’editoria italiana (1964-2011) (M. Zaccarello), p. 397 • Pasquale Stoppelli, L’arte del filologo (V. Brigatti), p. 402 • Alberto Cadioli, Il testo in tipografia. Lo studio filo-logico delle edizioni a stampa (P. Stoppelli), p. 410 • Anne Baillot, From Handwriting to Footprinting. Text and Heritage in the Age of Climate Crisis (R. Priore), p. 412 • Dirk Van Hulle & Mark Nixon (ed.), Write, cut, rewrite. The cutting-room Floor of Modern Literature (P. Italia), p. 420 • Ilaria Burattini, Il copialettere di Francesco Guicciardini. Una fonte per la «Storia d’Italia» (M. Fantacci), p. 428 • Dirk Van Hulle (ed.), Genetic Narratology: Analysing Narrative across Versions (E. Spadini), p. 434 • Nathalie Ferrand, Dans l’atelier de Jean-Jacques Rousseau. Genèse et inter-prétation (M. Morselli), p. 437
Chronicle
Jessica Tasselli, Textkritik, Metrik, und Paläographie im Leben und Werk von Paul Maas (Georg-August-Universität Göttingen, 19 novembre 2024), p. 441
Filippo Pelacci, Genesis Bologna 2024: Costants and Variants in Genetic Criticism (University of Bologna Ariostea Library, Ferrara, 9-11 May 2024), p. 444
Lucia Giagnolini, Mariangela Giglio, Il Futuro della Memoria: Dove, Come, Cosa Salvare (Milano, 5 novembre 2024), p. 458
